In addition to many photographs, the surprise discovery of a second Cheshire photo album yielded a gem of information in the form of a news clipping pasted onto the book’s suede interior back cover. The newsprint is a little worse for wear, but clearly legible, and features a photo of a beautiful and elegant Ursula.
“U.C. Girl to Visit With Mme. Calve; Invitation to Spend Summer With Singer Accepted,” announced the headline, revealing a major reason Ursula decided to travel to Europe two weeks after graduating from UC Berkeley in 1924. Noting that Ursula would set sail for France on May 31 with her mother, the article tells us:
“So impressed was Madame Emma Calve, famous singer, with the voice of Miss Ursula Cheshire, University of California senior, when she heard her sing three years ago, that yesterday she sent the girl an invitation to come to her chateau in Southern France and study voice culture there during the summer.”
According to the article, in addition to “voice culture,” Ursula’s studies in France would include dramatics and dancing.
Naturally, I was curious to find out more about Mme. Calvé. Described by Wikipedia as “probably the most famous French female opera singer of the Belle Époque,” Emma Calvé (né Rosa Emma Calvet, b. 1858-d. 1942) was an operatic soprano who enjoyed international acclaim, particularly for her performances in the title role of Georges Bizet’s Carmen. According to Encyclopaedia Britannica, her interpretation of Carmen was noted for its dramatic realism and was long considered the model. She sang regularly at New York City’s Metropolitan Opera and London’s Royal Opera House. Her friend Swami Vivekananda wrote of her, “The rare combination of beauty, youth, talents, and ‘divine’ voice has assigned Calvé the highest place among the singers of the West.”
To be invited to study with the eminent opera singer was high praise, indeed, for Miss Ursula Cheshire. At the time, Calvé would have been 65 years old, just three years older than when she made this recording (music starts at 15 seconds in), and one year before she retired from the stage to focus solely on teaching.
In my research, I discovered that Calve penned an autobiography in 1922. In the book, titled My Life, she wrote about the summers during which she “filled my castle on the hilltop with different groups of young girls who have come to study with me.” It offers a rare glimpse of what Ursula’s time there would have been like, about which I will share in the next Mystery Dancer post. Until then, adieu!